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Huma Bhabha: Before the End - Public Art Fund
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Three patinated bronze sculptures, each with a square concrete base, installed along a grassy terrace. On top of each sculpture sits a recreated skeletal structure:...

Huma Bhabha Before the End

Pier 3 Greenway Terrace,
Brooklyn Bridge Park
April 30, 2024 - March 9, 2025

About the Exhibition

Press Release

With the ominous title Before the End, Huma Bhabha (b. 1962, Karachi, Pakistan) sets the stage to evoke mythologies as old as humankind. Conceived for Brooklyn Bridge Park, Bhabha’s four monumental painted and patinated bronzes were cast from carved cork and skull fragments. The mysterious figures recall ancient effigies cut into tombstones, their surfaces evoking centuries of eroded sediment and stone. Yet, unlike a tomb, these four-sided vertical forms stand elevated above the earth, their bones open to the sky.

Before the End” is a title borrowed from the writings of Vincent of Beauvais (ca. 1184–1264), whose medieval imagination sparked with supernatural and apocalyptic visions. Today, the related popular genres of horror and science fiction continue to inspire Bhabha, as does art history from antiquity to the present day. Her rough-hewn figures are ambiguous—are they emerging or trapped within, rising from the depths of the earth or returning to the underworld? Set amidst an expansive landscape where the natural and man-made converge, Bhabha’s sculptures captivate through contradiction, seemingly forged in geological time yet animated with a visceral sense of immediacy.

Huma Bhabha: Before the End is curated by Public Art Fund Executive & Artistic Director Nicholas Baume with support from Public Art Fund Assistant Curator Jenée-Daria Strand.

Installation Photos

Four patinated bronze sculptures, each with a square concrete base, installed along a grassy terrace. On top of each sculpture sits a recreated skeletal structure:...
Four patinated bronze sculptures, each with a square concrete base, installed along a grassy terrace. On top of each sculpture sits a recreated skeletal structure:...
Four patinated bronze sculptures, each with a square concrete base, installed along a grassy terrace. On top of each sculpture sits a recreated skeletal structure:...
12 HumaBhabha-7630
Four patinated bronze sculptures, each with a square concrete base, installed along a grassy terrace. On top of each sculpture sits a recreated skeletal structure:...
A close-up shot of a patinated bronze sculpture with a square concrete base installed along a grassy terrace. There is a spot of red towards the midpoint of the...
A close-up shot of a patinated bronze sculpture with a square concrete base installed along a grassy terrace. On top of the sculpture sits a recreated off-white...
A close-up shot of a patinated bronze sculpture with a square concrete base installed along a grassy terrace. There are spots of yellow and white across the sculpture...
A close-up shot of a patinated bronze sculpture with a square concrete base installed along a grassy terrace. On top of the sculpture sits a recreated off-white...

About the Artist

Huma Bhabha    View Profile

Since the 1990s, Huma Bhabha (b. 1962, Karachi, Pakistan) has become known for layered and nuanced work that centers on reinvention of the figure and its expressive possibilities. Her formally inventive practice encompasses sculpture, drawings, and photography. Born in Karachi, Pakistan, Bhabha moved to the United States in 1981 to attend Rhode Island School of Design, Providence, from which she received her BFA in 1985. She later studied at the School of the Arts at Columbia University, New York, from which she received her MFA in 1989. The artist presently lives and works in Poughkeepsie, NY.

Bhabha has been the recipient of notable awards, such as The American Academy in Berlin’s Berlin Prize, the Guna S. Mundheim Fellowship (2013), and the Emerging Artist Award from The Aldrich Contemporary Art Museum, Ridgefield, Connecticut (2008). In 2022, Bhabha was elected as a National Academician by the The National Academy of Design, New York. In 2023, the artist was inducted into the American Academy of Arts and Letters, New York.

Bhabha has exhibited in museums around the world, including solo exhibitions: Huma Bhabha: LIVIN’ THINGS M Leuven, Belgium (2023, traveled to MO.CO., Montpellier, France, 2023, as Huma Bhabha: A fly appeared, and disappeared); Touching Earth (curated by Nicholas Baume), Fundación Casa Wabi, Puerto Escondido, Mexico (2022–23); Huma Bhabha: Against Time, Baltic Centre for Contemporary Art, Gateshead, England (2020); and Huma Bhabha: They Live, Institute of Contemporary Art, Boston (2019), and published an accompanying catalog. An installation of the artist’s work, Huma Bhabha: We Come in Peace, was commissioned by The Metropolitan Museum of Art, New York, in 2018, for their roof garden. Additional solo exhibitions have taken place at prominent institutions such as The Contemporary Austin, TX (2018); MoMA PS1, Long Island City, NY (2012); Collezione Maramotti, Reggio Emilia, Italy (2012); Aspen Art Museum, CO (2011); and The Aldrich Contemporary Art Museum, Ridgefield, CT (2008), among others. Bhabha’s work has also been included in numerous group exhibitions internationally, including the 2019 Yorkshire Sculpture International, Wakefield, England; the 56th Venice Biennale (2015); and the Whitney Biennial 2010, New York City.

(as of 2024)

Location

Pier 3 Greenway Terrace,
Brooklyn Bridge Park
Pier 3 Greenway Terrace,
Brooklyn Bridge Park

Related Programs



Bloomberg Philanthropies is the presenting sponsor of Huma Bhabha: Before The End.

Leadership support for Before The End is provided by David Zwirner Gallery, the Girlfriend Fund, Jennifer Sykes Harris, and Elizabeth Fearon Pepperman & Richard C. Pepperman II with champion support from Elise & Andrew Brownstein, Ellen & Andrew Celli, Kirsh Foundation, Andrea Krantz & Harvey M. Sawikin, Holly & Jonathan Lipton, Jennifer & Jason New, Rasika & Girish Reddy, Karen & Sam Seymour, Donna Green & Michael Sternberg, and Allison Wiener & Jeffrey Schackner; and generous support from the Blue Rider Group at Morgan Stanley, Susan & Jonathan Bram,  the Deborah Buck Foundation, and Linda Lennon & Stuart Baskin. Additional support is provided by Carla Shen.

International Partner: Kiran Nadar Museum of Art, New Delhi

Huma Bhabha: Before The End is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Nothing Falls and Feel the Hammer are presented courtesy of the Kiran Nadar Museum of Art, New Delhi; Member and Mr. Stone are presented courtesy of the artist and David Zwirner.

Special thanks to Brooklyn Bridge Park and engineering partner Silman.

Public Art Fund is supported by the generosity of individuals, corporations, and private foundations including lead support from Bloomberg Philanthropies, along with major support from the Charina Endowment Fund, The Cowles Charitable Trust, the Joseph and Joan Cullman Foundation for the Arts, The Fuhrman Family Foundation, The Marc Haas Foundation, Hartfield Foundation, William Talbott Hillman Foundation- Affirmation Arts Fund, KHR Family Fund, the Donald A. Pels Charitable Trust, Red Crane Foundation, Meyer and Deanne Sharlin Foundation, The Silverweed Foundation, and Wagner Foundation.

Public Art Fund exhibitions and programs are also supported in part with public funds from government agencies, including the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council.

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