About Creative Partnerships
Extending our core mission to present dynamic exhibitions by the world’s most compelling artists and make culture accessible to all, Public Art Fund: Creative Partnerships brings strategic planning, curatorial, project management, and communications expertise to leading cultural institutions, corporations, and civic organizations across the globe. Through these collaborations, Public Art Fund commissions permanent installations and temporary exhibitions in line with the unique vision of our partners and the specific parameters of each site, resulting in new artworks that activate public spaces, create engaged constituencies, and amplify the impact of our partners’ own initiatives through the power of public art.
June 10, 2020—Governor Andrew M. Cuomo announced today the June 13th opening of the new Arrivals and Departures Hall at LaGuardia Airport’s Terminal B and four unprecedented site-specific art installations by Jeppe Hein, Sabine Hornig, Laura Owens, and Sarah Sze. The works are commissioned through a partnership between LaGuardia Gateway Partners, the developer and operator of Terminal B, and Public Art Fund, as part of the Governor and The Port Authority of New York and New Jersey’s visionary transformation of LaGuardia Airport. The spacious, 850,000 square foot four-story Terminal B Arrivals and Departures Hall will provide New York’s travelers with a 21st century airport experience that includes local concessions, large, modern restrooms, and a New York-inspired shopping district. The four new permanent public art installations anchor the space, enhance the passenger experience, and underscore New York’s global position as a beacon for arts and culture.
Planet Word will be housed within the Franklin School, a National Landmark of architectural distinction built in 1869 as one of the first graded, co-educational public schools in the United States. Planet Word and Lozano-Hemmer's work both pay homage to the building's legacy as a place of learning, as well as its history of innovation in the field of communication: it was the site of Alexander Graham Bell’s first wireless transmission of the human voice using a Photophone, a precursor to fiberoptic technology, in 1880.
Public Art Fund: Creative Partnerships was brought on by Planet Word to guide both the curatorial process of the artist selection and to project manage this new commission. Public Art Fund worked closely with Friedman to define the creative and practical parameters for the commission, developed a long list of potential artists, and worked with Friedman and the advisory committee to narrow down the selection. Public Art Fund then worked closely with the short list of artists to develop and present their final proposals to the committee to evaluate. Public Art Fund is proud to have worked with Friedman and the advisory committee on the artist selection for extraordinary new permanent commission, and will be working closely with both Planet Word and Lozano-Hemmer to ensure it is successfully realized.
In 2011 Public Art Fund, in partnership with American Friends of Magen David Adom, commissioned a new monumental work by Franz West (1947 – 2012) for the plaza abutting the William H. Bloomberg MDA Jerusalem Station in Israel. Named in honor of Michael R. Bloomberg’s father and the flagship of Magen David Adom’s nationwide facilities, the station provides emergency medical, disaster, ambulance and blood bank service for the surrounding areas. West’s Waiting Room is made of painted fiberglass and steel, and the twenty-foot high vibrant green and blue sculpture is comprised of eight unique curved shapes, with protruding elements at the base that form a seating area for the public. The work has become a part of the cityscape, growing into a landmark and gathering place, as well as a respite for visitors to the station.
Andy Goldsworthy’s Garden of Stones was commissioned by Public Art Fund in partnership with the Memorial Garden of The Museum of Jewish Heritage - A Living Memorial to the Holocaust. Garden of Stones, Goldsworthy’s first permanent commission in New York City, consists of a poignant and contemplative garden of trees growing from stone, and is dedicated to the memory of those who perished in the Holocaust and honors those who survived. Planted in 2003 by the artist with Holocaust survivors and their family members, the installation includes eighteen boulders that form a series of narrow pathways within the 4,150 square feet of the Memorial Garden. A single dwarf oak sapling emerges from the top of each boulder, growing within the stone. As each tree matures, they become more integrally apart of their stone – their trunks widening and fusing to their stone bases. Working in close partnership, Public Art Fund and The Museum of Jewish Heritage - A Living Memorial to the Holocaust collaborated on the artist selection process, and the creation and installation of Garden of Stones.
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