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Yinka Shonibare MBE: Wind Sculpture (SG) I - Public Art Fund
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Yinka Shonibare MBE Wind Sculpture (SG) I

Doris C. Freedman Plaza
March 7 - October 14, 2018

About the Exhibition

One of Britain’s best-known contemporary artists, Yinka Shonibare (b. 1962, London) spent his childhood between England and Nigeria. He settled permanently in London in the early 1980s, where he attended art school. Shonibare regards himself as a cultural hybrid, a product of complex and layered relationships forged by centuries of global trade, migration, politics, and cultural exchange. His work reflects these currents in ways that often playfully invite us to look beyond appearances and assumptions about identity.

Wind Sculpture (SG) I takes on the paradoxical task of manifesting the invisible. We can’t see wind, but we do see its effects. Here the dynamic movement of a piece of fabric in a gust of wind is rendered in solid fiberglass at monumental scale. The sculpture is the first in a “second generation” (SG) that extends the artist’s exploration of this theme. It reflects a new approach to design and fabrication, achieving remarkable energy and balance in a gravity-defying form. Painted to resemble West African fabric, it dazzles with color and voluptuous shape. It evokes a sense of freedom and possibility, which for the artist represents the originality of the hybrid. After all, what we now regard as traditional African cloth is based on Indonesian batik fabric first brought to Africa by Dutch traders in the 1800s. For Shonibare, and for Wind Sculpture (SG) I, identity is always a richly layered and dynamic set of relationships.

Yinka Shonibare MBE: Wind Sculpture (SG) I is curated by Public Art Fund Director & Chief Curator Nicholas Baume.

Image Gallery

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About the Artist

Yinka Shonibare MBE    View Profile

Yinka Shonibare MBE (b. 1962 London, England) moved to Lagos, Nigeria, at the age of three; he currently lives and works in the East End of London. He received his MFA from Goldsmiths College, graduating as part of the Young British Artists generation. Through a variety of mediums, Shonibare’s work examines the implications of colonialism and postcolonialism in an interconnected world. In 2013, a major survey show was mounted at Yorkshire Sculpture Park, Wakefield, UK, and travelled in part to Royal Museums Greenwich/The Queen’s House, London; GL Strand, Copenhagen, Denmark; Gdańska Galeria Miejska, Gdansk, Poland; and Wrocław Contemporary Museum, Wrocław, Poland. In 2014, Shonibare was the subject of the first contemporary art exhibition at The Barnes Foundation, Philadelphia. Shonibare was elected to membership in the Royal Academy in 2016. His work is included in many prestigious collections, including the Art Institute of Chicago; National Gallery of Art, Washington, DC; Moderna Museet, Stockholm; The Museum of Modern Art, New York City; National Gallery of Canada, Ottawa; National Gallery of Modern Art in Rome; Smithsonian Institution National Museum of African Art and Hirshhorn Museum & Sculpture Garden, Washington, DC; San Francisco Museum of Modern Art; Museum of Fine Arts, Boston; Tate Collection, London; VandenBroek Foundation, the Netherlands; Victoria and Albert Museum, London, among others. Shonibare was a Turner Prize nominee in 2004, and in 2005 he was awarded the decoration of Member of the Most Excellent Order of the British Empire, a title that he officially added onto his professional name. In 2010, the artist’s sculpture Nelson’s Ship in a Bottle was selected for the prestigious Fourth Plinth commission series in London’s Trafalgar Square and was on view until January 2012. The Royal Opera House, London, commissioned Globe Head Ballerina (2012) to be displayed outside the Royal Opera House, overlooking Russell Street in Covent Garden.

Location

Doris C. Freedman Plaza
Doris C. Freedman Plaza

Support for the commission and exhibition of Wind Sculpture (SG) I is provided by Amanda & Glenn Fuhrman, Amelia & Bayo Ogunlesi, Andrea Krantz & Harvey Sawikin, James & Jane Cohan, the Cynthia L. and William E. Simon, Jr. Foundation, and Ruth & Bil Ehrlich.

Public Art Fund is supported by the generosity of individuals, corporations, and private foundations including lead support from Bloomberg Philanthropies, and major support from the Booth Ferris Foundation, the Charina Endowment Fund, The Marc Haas Foundation, Stavros Niarchos Foundation, and The Silverweed Foundation.

Public Art Fund is supported in part with funds from government agencies, including the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and the New York City Department of Cultural Affairs in partnership with the City Council.

Special thanks to the Office of the Mayor, Manhattan Borough President, Department of Cultural Affairs, NYC Parks, and Central Park Conservancy. Special assistance has been provided by Craft Engineering Studio.

The work has been acquired and is courtesy Collection of Davidson College, NC, and James Cohan Gallery, NY; Given generously by Patricia A. Rodgers in memory of her husband B.D. Rodgers, 2018.


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