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Reversed Double Helix - Public Art Fund
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Takashi Murakami Reversed Double Helix

Rockefeller Plaza
September 9 - October 12, 2003

About the Exhibition

Reversed Double Helix by Takashi Murakami (b. 1963, Tokyo, Japan) is his most ambitious US solo show to date. It features new works, including a large freestanding sculpture, two giant floating balloons, and a forest of mushroom seating. A 30-foot-tall Buddha-like figure with multiple arms and a pointed head presides over the scene at 30 Rockefeller Plaza. “Tongari-kun” (Japanese for “Mr. Pointy”), as he is known in Murakami’s universe of characters, is flanked by four smaller figures. Low-lying mushrooms, a familiar motif in Murakami’s artwork, surround the central sculpture and serve as seating areas for visitors. Surveying this scene are two gigantic “eyeball” balloons, each 30 feet in diameter, floating 60 feet in the air above the Rockefeller Center ice rink. Murakami also designed the flags surrounding Rockefeller Center to complete the transformation.

Reversed Double Helix refers to the twisted spirals of DNA strands. It plays upon Murakami’s universe of mutant cartoon characters, where wide-eyed mushrooms coexist with multiarmed giants, happy flowers, and elfin creatures. Characterized by bright acrylic patterns and flat unblemished surfaces, Murakami’s works are an inspired mix of tradition and modernity. With its formal sophistication and ever-gleeful cast of characters, Murakami’s art appeals on a purely visual level even as it references religion, subcultures, and art history.

Location

Rockefeller Plaza
Rockefeller Plaza

Photo Gallery

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Reversed Double Helix was organized by Public Art Fund and Tishman Speyer Properties, and presented by Target Stores.

About Tishman Speyer Properties
Tishman Speyer Properties is the co-owner and manager of Rockefeller Center, which is the site of numerous public exhibits and events. The annual art installation at Rockefeller Center is consistent with Tishman Speyer’s commitment to bringing art to the public in its more than 40 buildings around the globe. Tishman Speyer has earned a worldwide reputation for innovative utilization of public art in its signature commercial properties, which include Rockefeller Center and The Chrysler Center in New York City, and the Sony Center in Berlin.


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