Sarah Lucas (b. 1962, London, England) lives and works in London. Her work has been the subject of numerous solo exhibitions at institutions including Whitechapel Gallery, London (2013); Museo Diego Rivera Anahuacalli, Mexico City (2012); Henry Moore Institute, Leeds, England (2012); Kunsthalle Krems, Krems an der Donau, Austria (2011); Public Art Fund, New York City (2010); Kunsthalle Zürich, Switzerland (2005); Tate Britain, London (2004); Tate Modern, London (2002); Freud Museum, London (2000); Museum Ludwig, Cologne, Germany (1997); and Portikus, Frankfurt am Main, Germany (1996). Her work has also been included in many group shows such as The Encyclopedic Palace, 55th Venice Biennale, Venice (2013); Disagreeable Object, SculptureCenter, New York (2012); Sculptural Matter, Australian Centre for Contemporary Art, Melbourne (2012); Fresh Hell, Palais de Tokyo, Paris (2010); The Last Newspaper, New Museum, New York (2010); Pop Life, National Gallery of Canada, Ottawa (2009); Female Trouble, Pinakothek der Moderne, Munich (2008); The Hamsterwheel, Malmö Konstall, Malmö, Sweden (2008); Global Feminisms, Brooklyn Museum, New York (2007); Sculpture: Precarious Realism between Melancholie and the Comic, Kunsthalle Vienna, Austria (2004); Fourth Plinth Project, National Gallery, Trafalgar Square, London (2003); PoT: The Liverpool Biennial of Contemporary Art–The Independent, England (2002); and Human Beings and Gender: 2000 Gwangju Biennale, Korea (2000). Lucas is represented by Gladstone Gallery in New York.
(as of 2013)