Skip to main content
Oceana - Public Art Fund
বাংলা (Bengali) 简体中文 (Chinese Simplified) 繁體中文 (Chinese Traditional) Nederlands (Dutch) English Français (French) Deutsch (German) Italiano (Italian) 日本語 (Japanese) 한국어 (Korean) Português (Portuguese - Brazil) Español (Spanish) Tiếng Việt (Vietnamese)
I am looking for…
Suggested searches:
Ai Weiwei
Talks
JohnsonJ 0873.jpg
Duane & Church Streets
October 1, 1979 - October 31, 1984

About the Exhibition

Oceana is Jerry Johnson’s first public mural. Johnson pays homage to the colorful and idealistic world depicted in American billboard art, a world filled with toothy gas-station attendants, kissing flamingos, a slice of cherry pie, and the wide-open desert. According to Johnson, Oceana’s brilliant display of colors and seemingly contradictory images are a subtle reminder of “promises that couldn’t be kept.” Johnson and his assistant outlined and painted the work in approximately 25 working days. He believes the work will become “more mysterious” as it ages and fades. “Part of my attraction to billboard art,” Johnson stated, “involves the passing of images—how they fade from popularity in the public’s eye.”

Photo Gallery

JohnsonJ 0872.jpg
JohnsonJ 0873.jpg
JohnsonJ 0874.jpg
JonesGinzel 0875.jpg

Location

Duane & Church Streets
Duane & Church Streets

Johnson proposed the idea for Oceana to Doris C. Freedman, founding president of the Public Art Fund, Inc., chairman of the Public Arts Council, and president of the Municipal Art Society, in 1977, while executing another Council project, Alex Katz’s Nine Women. Oceana has been made possible in part by support from the National Endowment for the Arts, the New York State Council on the Arts, and a contribution from Sylvan Lawrence and Company, Inc.


Related Exhibitions