Good Fences Make Good Neighbors

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Madison Ave btw E 109 & 108 St

Ai Weiwei’s citywide exhibition uses existing elements of urban infrastructure as platforms for public art. Lamppost banners display a series of 200 portraits of immigrants and refugees. Unlike typical printed advertisements, the artist created unique double-sided banner portraits by cutting black vinyl to make images appear in the portions that remain. Their play of positive and negative space is analogous to the often-ambiguous status of refugees and migrants. The series encompasses many groups by spanning several periods and locales. It includes historic images from Ellis Island, photographs of notable refugees, formal portraits by Ai Weiwei’s studio from the Shariya camp in Iraq, and the artist’s cell phone photographs taken at refugee camps and national borders around the world. The banners portray people from varied backgrounds, yet each is presented in a consistent format, emphasizing their shared humanity.

This portrait depicts a refugee from the Nizip Camp at Gaziantep, Turkey, a city on the Syrian-Turkish border. This group of camps, established in 2012 and administered by Turkey’s Disaster and Emergency Management Presidency, contains a population of approximately 16,000 of the three million registered Syrian refugees in Turkey who have fled atrocities and conflict. Many of Syria’s poorest refugees are now employed as seasonal migrant farmers across Turkey, working for meager wages.

Ai and his team’s extensive research and visits to refugee camps and national borders around the world have yielded an enormous trove of compelling documentation. Much of this is produced by the artist’s nearly constant use of his cell phone to spontaneously photograph the people and scenes around him.

Location: Nizip Camp, Gaziantep, Turkey

Courtesy of the artist.


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