MenuSearch
Little Boy - Ban

Little Boy - Ban

About the Exhibition

Public Art Fund presents a series of four public art projects as part of Little Boy, a major exhibition hosted by Japan Society Gallery. The exhibition and public installations, all curated by Takashi Murakami (b.1963, Tokyo, Japan) explore the astoundingly popular phenomenon called otaku, a Japanese youth subculture obsessed with fantastic and apocalyptic science fiction, fantasy, video games, comic books (manga) and film animation (anime), whose visual and musical forms are rapidly becoming globalized.

Since she first began making art in 1997, Chinatsu Ban (b.1973, Aichi Prefecture, Japan) has developed a singular aesthetic style, creating acrylic paintings and sketches of elephants and human figures that float on a blank rice-paper background or in front of candy-colored stripes. V W X Yellow Elephant Underwear/H I J Kiddy Elephant, Ban’s first foray into sculpture, formally resembles her many colorful elephant drawings. With wide eyes, large bodies with small appendages, and no mouth, Ban’s two elephants are irresistibly cartoon-cute. But for the artist they are also charged with intense meaning and personal symbolism. Like Louise Bourgeois, in whose work spiders frequently appear as a totem of maternal protection, Chinatsu Ban’s elephants have a talismanic relationship to her own childhood. This dates back to a small elephant figurine she once bought, which became a charm and a reassuring symbol of peace and safety.

Cuteness is an obsession for Ban, and her depictions are tinged with psychological edge. The Japanese word for “cute” is “kawaii.” More than just an adjective, the word has taken on tremendous cultural resonance in recent decades; the Japanese teen magazine CREA once noted that kawaii is “the most widely used, widely loved, habitual word in modern living Japanese.” From Hello Kitty, who first appeared on stationary products in the early 1970s, to more recent phenomena like pop duo Puffy AmiYumi, Japanese contemporary culture and the consumer goods market are saturated by all things kawaii. Anything can be made cute—even, in this case, a pile of elephant poop.

Location

Doris C. Freedman Plaza

Central Park, 60th Street & 5th Avenue

Get Directions

Photo Gallery

As a non-profit organization, Public Art Fund relies on contributions from individuals, corporations, and foundations to make extraordinary public art available and accessible to audiences of all ages and backgrounds—at absolutely no charge! Gifts at every level make a difference and are 100% tax-deductible. Thank you for supporting public art!

Support Public Art Fund