Public Art Fund

Tatzu Nishi: Discovering Columbus

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Tatzu Nishi

Discovering Columbus

About the Exhibition

Tatzu Nishi (b. 1960, Nagoya, Japan) is known internationally for his temporary works of art that transform our experience of monuments, statues, and architectural details. His installations give the public intimate access to aspects of our urban environment and at the same time radically alter our perceptions. For his first public project in the United States, Nishi has chosen to focus on the historic statue of Christopher Columbus.

The marble statue, which rises to more than 75 feet atop a granite column, was designed by the Italian sculptor Gaetano Russo. It was unveiled in 1892 to commemorate the 400th anniversary of Columbus’s first voyage to the Americas. Despite its prominent public location, the statue itself is little known, visible only as a silhouette against the sky or at a distance from surrounding buildings.

Nishi’s project re-imagines the colossal 13-foot-tall statue of Columbus standing in a fully furnished, modern living room. Featuring tables, chairs, couch, rug, and flat-screen television, the décor reflects the artist’s interpretation of contemporary New York style. He even designed wallpaper inspired by memories of American popular culture, having watched Hollywood movies and television as a child in Japan. Discovering Columbus offers both a unique perspective on a historical monument and a surreal experience of the sculpture in a new context. Allowing us to take a journey up six flights of stairs to a fictional living room, Tatzu Nishi invites us to discover for ourselves where the imagination may lead.

About the Monument
Erected in 1892, this monument was designed by the Italian artist Gaetano Russo to commemorate the 400th anniversary of Columbus’ first voyage to the Americas. Atop the monument is a larger-than-life marble statue of explorer Christopher Columbus, who surveys the City from his perch some 75 feet above the street. He stands on a granite column featuring bronze ships’ prows and anchors that refer to his famous voyage with the Niña, the Pinta, and the Santa Maria. Supporting the column is a base adorned with bas relief plaques portraying Columbus’s journey in addition to an American bald eagle, and an allegorical figure titled the “Genius of Discovery.” The monument was sponsored by Il Progresso Italo-Americano, a New York City-based Italian-language newspaper.

The monument is located in the center of Columbus Circle at the intersection of Eighth Avenue, Broadway, Central Park South (West 59 Street), and Central Park West. It is the point from which all official distances from New York City are measured.

For more information on these monuments or Central Park, please visit http://www.nycgovparks.org or http://www.centralparknyc.org.

Conservation
In conjunction with Tatzu Nishi: Discovering Columbus, Public Art Fund will oversee the conservation of the Columbus Monument in cooperation with the New York City Department of Parks & Recreation.

In 2005 Columbus Circle was improved with the goal of making it a more hospitable destination for visitors. The roadways were reconfigured and the pedestrian walkways and crosswalks enhanced. Surrounding the monument, a new granite plaza was installed with specially designed benches and rimmed with seasonal planting beds, to create an oasis in the middle of the Circle. The interior fountain was removed, permitting seating at the base of the monument, and was replaced with perimeter fountains that soften the sounds of this busy crossroads.

The monument was unveiled in 1892, and in the hundred years since, its marble and original materials have been ravaged by time, weather, and other factors. The current conservation includes cleaning and pointing of granite and marble features, stone repair and consolidation, and bronze surface treatment.

This exhibition is curated by Nicholas Baume.

Lead Sponsors: Time Warner Inc.; Related Companies; Bloomberg

Additional funding is provided by The Bloomingdale’s Fund of the Macy’s Foundation; Charina Endowment Fund; Extell Development Company; Lauren & Martin Geller; The Horace W. Goldsmith Foundation; Kraus Family Foundation; Nancy & Duncan MacMillan; Marc Haas Foundation; The Moinian Group; David Rockefeller; The Secunda Family Foundation Inc.; Patty & Howard Silverstein; The Silverweed Foundation; SL Green Realty Corp.; Billie Tsien & Tod Williams; Vital Projects Fund, Inc.; Willkie Farr & Gallagher LLP; David Wine & Michael P. MacElhenny; The Zegar Family Foundation; and anonymous donors.

Supported in part by The ABNY Foundation; Elise & Andrew Brownstein; Mickey Cartin; Joan Ganz Cooney & Peter G. Peterson; Marcia Dunn & Jonathan Sobel Foundation; Wendy Fisher; Linda Lennon & Stuart Baskin; Holly & Jonathan Lipton; The Moore Charitable Foundation; Nancy & Morris W. Offit; Red Crane Foundation; Heidi and Richard Rieger; The Rudin Foundation, Inc.; Linda & Andrew Safran; Trump International Hotel and Tower; and Young & Rubicam.

Support for the conservation of the Columbus Monument provided by the New York City Department of Cultural Affairs and the New York City Department of Parks & Recreation

Construction Partner: Tishman Construction, an AECOM Company

Special thanks to Bloomingdale’s and Mitchell Gold + Bob Williams for providing furnishings; Bouchon Bakery and Café for event catering; FLOR, an Interface company, for modular floor covering; Samsung Electronics America for electronics; The Shops at Columbus Circle for hosting our information desk; Tender Creative for design services; Trove for producing custom wall coverings; and Artex Fine Art Services for conservation assistance.

Public Art Fund gratefully acknowledges the partnership of Mayor Michael R. Bloomberg; First Deputy Mayor Patricia E. Harris; Department of Parks & Recreation Commissioner Veronica White; Central Park Conservancy President Douglas Blonsky; Department of Design and Construction Commissioner David J. Burney; and Department of Cultural Affairs Commissioner Kate D. Levin.

Location

Columbus Circle

Intersection of Eighth Avenue, Broadway, and West 59th Street

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Media Gallery

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About the Artist

Tatzu Nishi is a Japanese artist living in Berlin, Germany and Tokyo, Japan. He has created unconventional, site-specific public art projects around the world, transforming historical monuments by placing them in domestic settings. His works remove traditional statues from their everyday contexts to create surprising, intimate encounters with familiar monuments, making them accessible to the public in new ways.

These projects include Villa Victoria (2002) a temporary functioning hotel around a statue of Queen Victoria for the 2002 Liverpool Biennial; Engel (2002), an imagined one-room apartment over the roof of a 14th-century cathedral in Basel, Switzerland, enclosing a bronze angel-shaped weather vane; Tatzu Nishi: War and peace and in between (2009-10) two living spaces built around equestrian sculptures at the Art Gallery of New South Wales in association with Kaldor Public Art Projects; and The Merlion Hotel (2011), a temporary hotel suite built around Singapore’s iconic Merlion fountain for the 2011 Singapore Biennial.

Visitor Information

To reserve your free passes, click here!

Entry to this exhibition is by timed ticket only, and each visitor must present his or her own pass to enter. Each pass is valid for the date and time indicated and grants access to the exhibition for up to 30 minutes.

To experience the exhibition, visitors are asked to climb six flights of stairs to a height of 70 feet above street level and descend by a second set of stairs. Flat, rubber-soled shoes are strongly recommended.

This exhibition is accessible to visitors with assistive needs. Visitors requiring the use of a mobility device (e.g. wheelchair, crutches, or a cane) or who have a condition that prevents them from using the stairs will have access to the hoist.

Visitors under 13 years of age must be accompanied by a parent or guardian. Those between the ages of 13 and 18 may visit without an adult, but a parent or guardian must obtain a pass for them. Given the physical demands of visiting the exhibition, it is not recommended for children under the age of 5, and strollers are not permitted.

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