Good Fences Make Good Neighbors

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Lampposts

Banner 69

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E 3rd st btwn Avenue B and Avenue C

Ai Weiwei’s citywide exhibition uses existing elements of urban infrastructure as platforms for public art. Lamppost banners display a series of 200 portraits of immigrants and refugees. Unlike typical printed advertisements, the artist created unique double-sided banner portraits by cutting black vinyl to make images appear in the portions that remain. Their play of positive and negative space is analogous to the often-ambiguous status of refugees and migrants. The series encompasses many groups by spanning several periods and locales. It includes historic images from Ellis Island, photographs of notable refugees, formal portraits by Ai Weiwei’s studio from the Shariya camp in Iraq, and the artist’s cell phone photographs taken at refugee camps and national borders around the world. The banners portray people from varied backgrounds, yet each is presented in a consistent format, emphasizing their shared humanity.

This banner depicts Ai Qing (1910-1996, b. Jiang Zhenghan), one of the foremost Chinese modernist poets who was exiled with his family (including his son, Ai Weiwei) to Shihezi, Xinjiang Province, in northwestern China. During the Cultural Revolution (1966-76), Ai Qing was forced to undertake hard labor and made to clean public toilets.

Photographer: Unknown, Date: 1929, Copyright: Public Domain, Source: http://www.todayonhistory.com/upic/200905/17/B1154353110.jpg

Courtesy of the artist.

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