|
On view in "The World is Round" |
|
||||
|
The World is Round features new commissions and recent works by Jacob Dyrenforth, Diana Guerrero-Maciá, Chris Hanson & Hendrika Sonnenberg, Matt Johnson, and Ryan McGinness, all of whom have created works that explore collective consciousness and expression. Although the artists work in a variety of media and thematic areas, their practices are all linked by an interest in shared languages and systems, whether personal or political, formal or informal. Los Angeles-based artist Matt Johnson's playful sculptures depict everyday objects in unexpected, appealing ways, altering materiality and function in order to challenge typical meanings and assumptions. Johnson's meticulously crafted works strike an unsettling balance between reality and artifice, calling into question how and where the artist has intervened with the chosen objects. He often incorporates elements of wordplay, and art historical or cultural references, resulting in wry yet fanciful conceptual witticisms. Johnson's low-key intervention in MetroTech's manicured landscape, 4eva, is a large, three-ton boulder of ancient pre-Cambrian granite, flecked with what appear to be quartz veins. Upon closer inspection the viewer can see that the veins spell out the number '4' and the letters 'EVA,' which together form shorthand for the word 'FOREVER.' Johnson's prehistoric object seems to convey its timeless nature in an unusually direct and very contemporary manner, using the abbreviated language of text messaging to convey a colloquial phrase one might expect to find in a high-school yearbook. Expanding upon the age-old graffitist's impulse—from cave drawing to tree carving to senior-class spray painting—4eva is an instance of personal mark-making cleverly masquerading as a natural occurrence. Artist Bio Sponsorship Special thanks to Forest City Ratner Companies and First New York Partners. Location |
|||||