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For immediate release

Public Art Fund presents?

Nam June Paik at Rockefeller Center

A new laser commission by artist Nam June Paik, Transmission, presented by Cingular Wireless, is on view with a monumental automobile sculpture at NYC landmark.

On view June 26 - September 2, 2002

New York, NY- Beginning on June 26, visitors to Rockefeller Center will encounter two major works by internationally acclaimed artist Nam June Paik. Transmission, the artist's premiere outdoor laser presentation in New York City, will be seen alongside selections from the monumental 32 cars for the 20th century: play Mozart's Requiem quietly. Organized by Public Art Fund on behalf of RCPI Landmark Properties and Tishman Speyer Properties, owners of Rockefeller Center, this exhibition will offer millions of people an unprecedented opportunity to encounter the work of Nam June Paik, whose pioneering use of multimedia technology has changed the scope of contemporary art over the past four decades. Nam June Paik at Rockefeller Center is presented by Cingular Wireless.

Nam June Paik's Transmission
Transmission, located at the base of 30 Rockefeller Plaza, is a hybrid of an authentic contemporary transmission tower and a reconstructed 1930s-era radio tower, its rungs lined with glowing neon lights. Every evening from dusk until midnight, a trio of red, green and blue lasers will beam from the tip of the 33-foot-tall tower, bouncing off nearby mirrored surfaces to cast a colorful web around Rockefeller Center. Once an hour, the lasers will roam and ricochet around the area, projecting stunning visual fanfare onto the Center's landmark art deco architecture and historic plaza.

This ambitious new commission, made in collaboration with laser installation expert and creative technician Norman Ballard, is perfectly suited to the environment of Rockefeller Center, a major hub of the 20th/21st-century broadcast industry. From the outset of his career, Nam June Paik has sought "the new, imaginative and humanistic ways of using our technology" (1969). In his hands, the laser-which has been of interest to Paik since the late 1960s and has become the key element of his "post-video" work since the late 1990s-is more than a simple carrier of information. It is its own medium, carving visible lines and shapes into space, interacting with its physical surroundings. Here, the radio tower-a powerful tool and symbol of mass communication-sends direct visual information to passersby, rather than broadcasting an invisible volley of images, voices and sounds to far-flung locations.

Nam June Paik's 32 cars for the 20th century: play Mozart's Requiem quietly
Fanning out on either side of the tower are sixteen cars from Paik's ambitious 32 cars for the 20th century: play Mozart's Requiem quietly, from the collection of Samsung Foundation of Culture in Seoul, Korea. This dramatic work brings together an array of classic automobiles from the heyday of the American automotive industry. But these cars, which range from a 1929 Ford Model A to a 1959 Buick, are no longer symbols of American engineering and horsepower: each car is painted silver, gutted, and stripped of its engine. The car interiors-visible only through their unpainted front windshields-are filled with old hi-fi stereos, 8-track tape players, television sets, speakers and other defunct audio-visual equipment. Taken together, these relics of 20th-century technology become classically composed still lifes.

Upon drawing close to the cars, one can hear the sound of Mozart's Requiem, the composer's final, unfinished work. For Paik-who was the first to imagine the term "information superhighway" in a 1974 study for the Rockefeller Foundation, and whose formal training is in music composition-32 cars brings together several recurring themes in his career. His updated take on Mozart's Requiem is a clear-eyed, unsentimental ode to the 20th century, an era that saw the rise and crisis of both the car culture and the media culture. It is an elegiac commentary on the nature of consumer culture, technology and obsolescence.

About Nam June Paik
Over the past four decades, Nam June Paik has created a vast array of installations, videotapes, global television productions, films and performances. Paik's first videowork, Button Happening, was made in the store where he bought his first video camera in 1965, immediately after the technology was introduced on the consumer market. Since that time, no other artist has had a greater influence in imagining and realizing the artistic potential of video and television than Paik.

From his earliest pieces with Fluxus to his current work with laser expert Norman Ballard, artistic collaborations have marked Paik's career, including projects with Charlotte Moorman, John Cage, Merce Cunningham, Allan Kaprow and, more recently, sound artist Stephen Vitiello. For more than twenty years, Paik and Ballard have worked together to explore and expand the possibilities of laser as an artistic medium. Transmission joins their extensive body of collaborative work, which includes Jacob's Ladder at The Solomon R. Guggenheim Museum (2000) and Baroque Laser in M?ster, Germany (1995).

Paik has had mid-career retrospectives and major exhibitions at The Solomon R. Guggenheim Museum, New York (2000); the Kunsthalle Basel, Switzerland (1991); the Whitney Museum of American Art, New York (1982); and more than 60 other international venues. Born in Korea, Paik studied music composition at the University of Tokyo, where he wrote his thesis on Modernist composer Arnold Schoenberg.

Nam June Paik at Rockefeller Center is presented by Cingular Wireless. Cingular Wireless, the second largest wireless carrier in the U.S., believes very strongly in self-expression and is proud to present the expressive works of Nam June Paik. Cingular will provide wireless service in the New York City market beginning this summer.

Additional funding has been provided by TAC Americas. 32 cars for the 20th century: play Mozart's Requiem quietly is in the collection of Samsung Foundation of Culture.

Exhibitions at Rockefeller Center
Rockefeller Center and Public Art Fund have presented other major works of art to the millions of people who visit and work at this New York landmark. Last summer, Louise Bourgeois presented three massive bronze spiders, including the thirty-foot-tall Maman. In 2000, Jeff Koons' monumental topiary Puppy blossomed at the foot of 30 Rockefeller Plaza, and in 1998 eight Auguste Rodin bronzes from the Collection of Iris and B. Gerald Cantor were exhibited in the Channel Gardens. Nam June Paik's Transmission is the first original work to be newly commissioned for the program.

Each day an estimated 250,000 people walk through the Rockefeller Center complex

About Public Art Fund
Public Art Fund is New York's leading presenter of artists' projects, new commissions, installations and exhibitions in public spaces. With twenty-five years of experience and an international reputation, the Public Art Fund identifies, coordinates, and realizes a diversity of major projects by both established and emerging artists throughout New York City. By bringing artworks outside the traditional context of museums and galleries, the Public Art Fund provides a unique platform for an unparalleled public encounter with the art of our time.

Public Art Fund is a non-profit arts organization supported by generous gifts from individuals, foundations, and corporations, and with public funds from The New York State Council on the Arts, a State Agency, and the New York City Department of Cultural Affairs.

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Contact:
Public Art Fund
tel: (212) 980-4575
e-mail: press@publicartfund.org

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