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About the Program
Ticket Information and Program Details
Current Schedule
Previous Talks
Spring
2002 Schedule
Larry
Rinder - Whitney Biennial 2002
The
Whitney Biennial began in 1918 as the first major public forum for
contemporary American art. It has since become one of the most eagerly
anticipated exhibitions and continues to play a leading role in
showcasing vanguard works by artists residing in the United States.
In the past, the exhibition has been recognized not only for its
artistic innovation but also for its controversial record. This
year's Biennial Curator, Larry Rinder, the Anne and Joel Ehrenkranz
Curator of Contemporary Art, will discuss his selections for the
2002 Whitney Biennial.
Before his arrival
at the Whitney in 2000, Rinder was the Director of the CCAC Institute
at the California College of Arts and Crafts, San Francisco and
Oakland. He was also the curator for 20th-century art and MATRIX
at the Berkeley Art Museum. Rinder served as an advisor to both
the 1991 and 1993 Whitney Biennials and was among the six co-curators
selected to organize the 2000 Whitney Biennial.
When: Tuesday,
March 12
Where:
The New School University, 66 West 12th Street(between 5th &
6th Avenues)
Time:
6:30 p.m.
Whitney
Biennial in Central Park, Organized by the Public Art Fund
At the
invitation of the Whitney Museum, the Public Art Fund has organized
the Whitney Biennial in Central Park, a major exhibition marking
the first time that the two institutions have co-curated a project
from outset to realization. Tom Eccles, Director of the Public Art
Fund will introduce Kiki Smith, Kim Sooja, Brian Tolle, Keith Edmier,
and Roxy Paine. Following the presentations, Stefano Basilico, Curator
of the New School University Art Collection will moderate a discussion.
The five artists-selected
jointly by Larry Rinder and Tom Eccles-are all New Yorkers who have
been commissioned by Public Art Fund to make dynamic new work uniquely
suited for specific sites within the inimitable setting of Central
Park. Located at Doris C. Freedman Plaza, Keith Edmier's Emil
Dobbelstein and Henry Drope, 1944 is a seemingly conventional
war memorial to his grandfathers, who both served in the Second
World War. Kiki Smith's Sirens and Harpies, based upon the
deadly temptresses and voracious monsters in Greek mythology, will
greet visitors at the gateway to the Central Park Zoo. The multidisciplinary
artist Kim Sooja has created a vibrantly colorful installation of
Korean bed coverings for the Leaping Frog Café. Roxy Paine's
spectacular Bluff is a fifty-foot high tree made of brilliantly
reflective stainless steel. And, beneath the bridge of Central Park
Lake, Brian Tolle's Waylay, is a series of scattered splashes
which appear to be caused by someone skipping a rock across the
water.
When:
Tuesday, March 26
Where:
The New School University, 66 West 12th Street(between 5th &
6th Avenues)
Time:
6:30 p.m.
Vik
Muniz
Brazilian artist Vik Muniz will speak about his interest
in the history of photography, illusory techniques, and the nature
of visual representation. Muniz' works teases the eye by
presenting the viewer with familiar images created from unusual
and surprising materials. His photographs are based on models that
he makes using food or found items like chocolate syrup, dust, tomato
sauce, cotton, and sugar. Deriving from a variety of sources-portraits
of Sigmund Freud or Liz Taylor, Jackson Pollock abstractions, cloud
patterns, children of sugarcane laborers-Muniz' imagery reveals
his sense of humor as well as his irreverence for an original work
of art, calling into question the significance of an original versus
a reproduction.
Described
as "low-tech" illusions, the images in Muniz' photographs
draw attention to our methods of observation. Muniz' detailed pictures
of the floor tile MoMA -New York, are shot at such close range that
at first, they appear like images of a starry night. Interested
in the way our eyes can play tricks on our minds, his work produces
a short-circuit effect once the viewer realizes what the images
actually are and/or what materials are used to create them. Muniz
explores the borders between reality and artifice and the import
placed on sight.
Born
in São Paulo, Brazil in 1961, Muniz has lived and
worked in New York City since the mid-1980s. He began his career
as a sculptor, eventually turning his attention exclusively to photography.
He has had solo exhibitions at the Centre National de la Photographie,
Paris, and the International Center of Photography, New York. His
work has also been included in various exhibitions such as the Whitney
Biennial 2000, the Corcoran Gallery of Art's 46th Biennial Exhibition:
Media/Metaphor in Washington DC, and The Museum as Muse: Artists
Reflect at The Museum of Modern Art, New York.
When:
Tuesday, April 9
Where:
The New School University, 66 West 12th Street(between 5th &
6th Avenues)
Time:
6:30 p.m.
Gregory
Crewdson
Public Art Fund presents a special *Thursday Night Talk with Photographer
Gregory Crewdson. He will discuss a new book with an essay by Rick
Moody about his work Twilight Series, 1998-2002. Expanding
on themes previously explored in his work, this series examines
familiar tropes of American suburban life, highlighting tensions
between domestic bliss and modern-day anxieties. The Untitled photographs
consist of elaborately staged cinematic tableaus of clichéd
domestic environments infused with supernatural effects. In Twilight
Series, Crewdson presents a fragmented narrative reminiscent
of Alfred Hitchcock or David Lynch films in which the appearance
of normalcy is questioned. Like the fiction of A.M. Holmes, Joyce
Carol Oates, and Rick Moody, Crewdson reveals his disillusionment
with the utopian notion of the American Dream, presenting an alternate
view of life gone awry.
Born
in 1962 in Brooklyn, Crewdson received his MFA from Yale University
in 1988, where he now teaches photography. Crewdson's work has been
exhibited widely including solo-shows at the Museo Reina Sofia,
Madrid, Luhring Augustine, New York, and Partobject Gallery, Carrboro,
North Carolina. His work is in the permanent collections of the
Los Angeles County Museum of Art, the Brooklyn Museum of Art, the
Museum of Fine Arts, Boston, and The Solomon R. Guggenheim Museum
among others.
When:
*Thursday, May 23
Where:
The New School University, 66 West 12th Street(between 5th &
6th Avenues)
Time:
6:30 p.m.
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